the caged damsel

*Disclaimer: I do not own any of these pictures unless stated. users online

Posts tagged Raf Simons.


RAF SIMONS SS12

RAF SIMONS SS12

(Source: glacierism, via guerri-nuts)

amuricano:

Raf Simons Spring 2012

amuricano:

Raf Simons Spring 2012

urbanmelody:

Raf Simons Spring/Summer 2009

urbanmelody:

Raf Simons Spring/Summer 2009

(Source: hommerun, via hommesinparis)

rafcrymons:

raf simons ss11

rafcrymons:

raf simons ss11

(Source: ancen, via ancen)

mur:

OMG

mur:

OMG

(Source: glacierism, via wehavenostyle)

garcon-portraits:

Guerrino Santulliana backstage at Raf Simons AW12

garcon-portraits:

Guerrino Santulliana backstage at Raf Simons AW12

(Source: ancen)

garcon-portraits:

Arthur Gosse for Raf Simons AW12

garcon-portraits:

Arthur Gosse for Raf Simons AW12

mars-descending:


Raf Simons 
/ Self Service magazine N° 13, A/W 2000
/ Photography: Anuschka Blommers & Niels Schumm

mars-descending:


Raf Simons
/ Self Service magazine N° 13, A/W 2000
/ Photography: Anuschka Blommers & Niels Schumm

(Source: mars-descendants, via ancen)

rafcrymons:

better than reposted 93840239482349423 times kruger version

rafcrymons:

better than reposted 93840239482349423 times kruger version

(Source: rafsimonscrying, via ancen)

rafcrymons:

Raf Simons S/S11

rafcrymons:

Raf Simons S/S11

(Source: ancen, via ancen)

(Source: hommerun, via wehavenostyle)

sirosis:



raf simons f/w 2011film by pierre debusschere

The idea of fragmentation was really important in this collection – psychologically for the Raf Simons man, and literally in the garments. Several garments were physically fragmented so that they can be worn as whole, traditional pieces or as individual parts of one piece. Using Velcro and press buttons gave another dynamic to the tailoring and suiting – it gave the collection speed. Pierre Debusschere’s film about the collection plays with the twin ideas of speed and fragmentation. - Raf Simons

sirosis:

raf simons f/w 2011
film by pierre debusschere

The idea of fragmentation was really important in this collection – psychologically for the Raf Simons man, and literally in the garments. Several garments were physically fragmented so that they can be worn as whole, traditional pieces or as individual parts of one piece. Using Velcro and press buttons gave another dynamic to the tailoring and suiting – it gave the collection speed. Pierre Debusschere’s film about the collection plays with the twin ideas of speed and fragmentation. - Raf Simons

(via wehavenostyle)

rafcrymons:

Raf w/ his parents after dior HC.
file under: forever reblog

rafcrymons:

Raf w/ his parents after dior HC.

file under: forever reblog

(Source: aya-adai, via ancen)

(Source: wehavenostyle)

(Source: monstreux)

 
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